Vortex Surfers

by eeabee

I’m reading John Bradshaw’s Healing the Shame that Binds You, and I see that he says: “To be shame-bound means that whenever you feel any feeling, need or drive, you immediately feel ashamed” (32).

Oh dear.

This does seem a bit of an awkward way to go through life, a bit inconvenient.

And so it is. I find things like this helpful though, not to weigh myself down with the enormity of an issue like this to be point of being immobilized, matted down, stuck to the floor, but because it makes me realize how huge of a deal it is to be able to move at all. This could become overly self-congratulatory, and probably already has, but there may be worse things. Clearly I like (and fear, but also like) attention, or I wouldn’t be writing here, so there’s no sense it denying it, not really. Even less so, if I admit that my job involves me having regular almost captive audiences, which I do admit, because it does.

Equally distressing are these quotes: “As each new shaming experience takes place, a new verbal imprint and visual image form a scene that becomes attached to the existing ones to form collages of shaming memories” (32); “As the years go on, very little is needed to trigger these collages of shame memories.  A word, a similar facial expression or a scene can set it off.  Sometimes an external stimulus is not even necessary” (33).  A whole big webby network in which a disturbance (or not even) in one spot triggers the whole thing to go haywire. And so it does. Not always–not like it used to. And I was just about to write that with this collage/network thing, the situation is as likely to worsen over time as it is to get better, and I’ve experienced some of that, some of it lately. But I’ve experienced the opposite too. It has taken great labor to get this far, which, if you haven’t gathered this already, is a bit sad considering how much room there is for improvement, but it’s more dazzling to think about where I came from. End-stage addiction, for one thing. And I do mean end stage. Which is where I now live, poised delicately above the brink I was just about to plummet from. See, I’ve been starting to think that a little melodrama–or a lot, it’s not really something that works in subtle accents–has some things to be said for it. It’s not actually that I’m exaggerating, but my prose is a bit purple at times, juicy-like, a bit oversaturated. Overdecorated with swooning-couches. But it’s such pleasure to overdo a bit like this, and it lets me play with something I certainly wouldn’t be able to wrestle down without getting myself killed in the process. But dancing with my awareness of where and how I live–on this edge of disaster, having stepped a few feet back, but I don’t think it’s possible to get far–that lightens the feeling of living here. It reminds me there is pleasure and lightness even here. Or shall I say (Oh I shall, I shall. . .) “especially here.” “Especially here” it is then, because while it sometimes seems intolerable and too scary here, sometimes it seems just as right to wonder what could possibly be more surprising and exciting?

And there’s never a problem with boredom.